IL N'YA PAS DE FAUX MÉTIER (THERE ARE NO FALSE UNDERTAKINGS)

By Olivier Godin

Marie-Cobra, recipient of a grant, advances in the writing of a screenplay which tells the story of a poet whose mission is to defuse bombs and of a police officer assigned to protect him; Rosaire, her former lover, a pastor, is writing a conference which deals with "the impossible love between believers and disbelievers", but which the stake is really his own impossible love with Marie-Cobra; Mélusine, an old friend, decides to go back to writing a play featuring a vampire with anal cancer, which, in Rosaire's opinion, is not at all funny.